PAT METHENY: Úryvok z rozhovoru , ktorý je fantastický a stojí za prečítanie:

Stanislav Počaji
PAT METHENY: Úryvok z rozhovoru , ktorý je fantastický a stojí za prečítanie:

JI: In the 1970s and prior, artists would be booked to play at a place in town for three or four days at a time. Now, nobody’s booking anybody in a club for that length of time. Venues want artists to come in for one night, bring all their fans and then, “you’re outta there!” They want to get the next group in to bring all their fans.

PM: It’s true. A lot of what you’re saying is true, however I feel I must add, it really wasn’t that great back then either. I’ve always feel it’s important to remind people of that. It was rough then too. Back then when I started my band, our fee for the band was usually around $200-$250 for the whole band. I could pay $25, $30, $40 a guy after I paid for the hotel and the gas money and the commission and yet I knew, and it was important to me as a bandleader, to play every place we could possibly play and to get guys that were willing to do that. That was hard to do then and it’s hard to do now. I still really, really, really believe that anybody that’s got something really powerful and important to say as a musician, as a jazz musician or otherwise, if they want to go out and play hundreds of nights a year, they can and will develop an audience. It’s just that it requires a commitment that very few people are willing or are in the position to be able to do. Part of it for me, was at that time, I was in my early 20’s as were the guys I was playing with. At that age, they’re like, “Sure, let’s go out and play 300 gigs! Yeah, we’re going to make $20 a night? Fine. We’re going to have fun!” Also, at the time we started, we were on a mission from god musically. We really had a point that we wanted to make. I think that could be done now too. I really do, and in fact, the only group that I’ve seen that has sort of modeled their thing on something somewhat like on our thing and have had success, has been Medeski, Martin and Wood. They also went out and played every place they could possibly play relentlessly...

JI: Yes.

PM: The truth is, then, and now, the only thing you have is to go out and play gigs. Radio doesn’t matter. It just doesn’t. No one will know about you otherwise. You have to go out and play gigs. That’s it. You probably won’t make any money for a long, long, long, long time, if ever, but you get to play.

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